The artist calls on the pedestrians of Avenida José Manuel Infante to perform one simple action. They are asked to jump while holding onto the wall. With these short ‘warming up’ exercises, written on the exterior wall of ‘Die Ecke’, she questions how we, these vulnerable bodies, can practice sensory strategies of how to be alive and how to be heard. Taking inspiration from the Chilean protest- and women’s movement learning from their tactics in which a vital role is reserved for music and rhythmic gestures like jumping. (Images: Yeb Wiersma + Exercise: Francisca Khamis) #cacerolazo#vitaactiva#removethewall.
Together with composer Kaveh Vares, artists Lotte Geeven and Yeb Wiersma invite you to dissect the meaning and use of manipulation in film music. Using a number of scenes from their recent film project Arise, they look at the mechanisms that lie behind the music’s (sub)conscious manipulation. What stylistic music tools and strategies ‘tweak’ reality? How do you play with the viewer’s emotions? What is the power and danger of ‘twisting’? What is your position when the boundary between ‘true’ and ‘false’ becomes increasingly blurred? (Film stills: Lotte Geeven & Yeb Wiersma, 2019)
Is it possible in today’s world to hide from the camera? With this question the artists Lotte Geeven and Yeb Wiersma travel to New Mexico (2019) in search of someone who has never been photographed. Their quest begins in the desert village of Los Lunas, home to the native community ‘Pueblo Isleta’ and to Facebook’s recent built datacenter. While Facebook is storing billions of digital portraits, the neighbors of Pueblo Isleta do not allow to have any images taken while on their sacred ground. They believe that to take a picture is to trouble the spirit of all things alive. It is here within this charged territory where the artists witness the juxtaposed forces between the digital, physical and spiritual world. Their journey will result in a short film (2021) questioning and redefining our position as human beings under the watchful eye of technology. (Stills: Historic Land Map Department, UNM, Albuquerque.)
As a response to the works and writings of Charlotte Posenenske, and the artist’s desire to operate at the critical ‘edge’ of things, Yeb Wiersma created the soundscape Calling from the Periphery (2019). Within this audio work, Wiersma asks—what are we saying when we speak about the ‘centre’ or the ‘periphery’? What if the centre is nowhere and its features are dispersed? Taking Posenenske’s Square Tubes, as her point of departure, Wiersma created a rhythmic soundscape exploring systems of hierarchy, the traps and beauty of Art and Modernity, and the conditions that influence our lives today. (Graphic image: Dongyoung Lee)
The artists Lotte Geeven & Yeb Wiersma will present the results of an unusual experiment; ‘can you capture the (collective) emotions of one hundred people?’ Concluding in a video installation and a unique perfume; a turbulent concentrate holding the emotional dynamics of a fleeting crowd.
The extract will be partly vaporized in Salon Louis XVI prior to the launch. The historic exhibition space is now infused with the molecular aura that was produced one specific day in Rabot, during sex, sports, affection, euphoria, stress, fear and rage. (Image: Video still ‘Diffusion’, Lotte Geeven & Yeb Wiersma, 2019)
A series of photographs taken in the Maroon village of Botopasi, situated in the interior of Surinam. Part of the upcoming short film project ‘Not our rhythm section’ (2019). The film will explore how today’s rhythms and rituals are related to migration, displacement, and the continued effects of colonization. Alongside the images the poet Ishion Hutchinson selected two poems from his book ‘Far District’ to create a wider poetics of migratory relations. (Image: Yeb Wiersma)
During Odorama’s upcoming edition Lotte Geeven & Yeb Wiersma will speak about their collaborative practice and field methodology in relation to their project ‘Diffusion de Rabot’; the making of a human essence. (Image: João Lona at work wearing the ‘Diffusion’ shirt collecting pheromones.)
As part of their ongoing series ‘Formations’, Lotte Geeven & Yeb Wiersma present three new works (Haze, Roar and Downtime) set in the public realm of the city of The Hague. The artists play upon the notion of ‘Downtime’: referring to the time during which a system is out of action or unavailable. (Image: Video still from ‘Haze’, camera Rik Komaromi)
Read the interview about ‘Downtime’ for Metropolis M here: http://www.metropolism.com/nl/features/34895?preview
Artists Lotte Geeven & Yeb Wiersma put an unusual experiment to the test: The creation of ‘Diffusion, Essence de Rabot’. For this artwork 100 participants will take part in the making of an ‘essence’ in the Rabot neighborhood (Ghent, Belgium) during one day on October 6th, 2017. They will be asked to wear a clean white T-shirt that will capture traces of their emotions in the form of signal molecules. The body’s alchemy produces these molecules to communicate emotions with others. (Video still, Lotte Geeven & Yeb Wiersma, 2017)
How do tangible and invisible matter shape our perceptions and representations of the world around us? During this expedition we’ll probe how the production of knowledge through materiality, art and science, and the natural world are entangled in a close embrace. With graphic designer Dongyoung Lee who dove into the basement of the Artis Library, where a shadow collection lies hidden in the dark. With historian Leonor Jonker on her grandmother’s colonial objects such as snake leggings from Zimbabwe, with astrophysicist Sera Markoff on the palpable life of black holes. Finalizing with Michael Moore on bass clarinet treating us to his instant interpretation of ‘Deep Things Out of Darkness’.